Heads up, this content is 18 years old. Please keep its age in mind while reading.

“How Do You Make a Handkerchief Dance?”
My grandmother is lying on a hospital bed,
holding a small square of paper
in her hands
and pausing between words
as she reads it to the nurse.
“I don’t know, Sally,”
the nurse says.
“How do you make a handkerchief dance?”
“You Put a Little Boogie In It.”
She tells it to the next nurse, too.

Grandma kept things simple.
Red lipstick, jigsaw puzzles,
and photo albums.
Chicken salad on finger rolls and
As the World Turns at 2 o’clock.
Judge Judy, Star Magazine,
and the National Enquirer every evening.
But she read the Wall Street Journal, too.

And she focused on the details,
placing towels and a fruit basket on the bed
for every guest.
Suggesting a nap if you looked tired,
and complimenting your outfit.
She wouldn’t start eating until the hostess
had lifted her fork,
and always passed the food counter-clockwise.
She kept her elbows off the table, too.

But it was in between those moments
that I finally found her.
In between the hugs and kisses,
the pleases and thank-yous,
the celebrity gossip and 9 o’clock news
that I cornered her in a La-Z-boy
alone one day
and asked her about her life.
I found the pearls and blossoms of her wisdom
in those reflections, that narration,
those worries, her hopes, and all the angles of her spirituality.
My grandmother was never afraid of death.
But as long as living was comfortable, she preferred to keep going with that.

She loved through the details and I loved around them
and we met each other someplace
where line meets line.
Hand to cheek,
hour to minute,
we lost our barriers when our thoughts
melted fear back down into love,
and we decided to sit in that space for awhile,
because the weather was nice
and we had a lovely view of the birch trees.

I couldn’t fluster her.
Every time I shapeshifted,
grew into a new awkward and challenging angle of myself,
she looked me in the eye consistently,
the same way she always had,
with adoration and eager hope
for my happiness.
She loved
constantly
thoroughly
and fully,
teaching me by example
that we can overcome our egos
if we find footing in honesty and acceptance.

I’ve only met one person in my life
whose sole job was to love
and she raised me
through a family with thick, strong arms.

I loved being loved by her.

I think she knew that, too.

– Sarah Dopp
August 1, 2008
Rest in peace, Grandma Sally

(Extra mushy thank-you hugs to Dawn, Shaun, Amy, Devil Crayon, Marcie, John, and Jon for the last minute editing help.)

Heads up, this content is 18 years old. Please keep its age in mind while reading.

I’m doing two things right now that feel a little… strange.  One is that I’m spending days on end by the bedside of my dying grandmother, holding her hand and carefully watching her body shut down.  The other is that I’m writing about it in real-time.  On the Internet.

My grandmother, Sarah “Sally” Dopp (they gave me her name but not her nickname) is going to die soon. The fact that she hasn’t yet is shocking. She’s come really close. Twice.

The first was Friday afternoon, when my mother called me to say they had stopped her chemo and dialysis treatments, and that she was dying. The doctors didn’t think she’d last a few hours, let alone the whole night.  They were in New Hampshire, I was in San Francisco, and the only bookable flights I could find were red-eyes that would get me there at 6am.  I panicked, packed anyway, and shot a message out to twitter:

Sarahdopp_normalsarahdopp: Grandma’s dying. I need a flight from SFO or OAK to BOS or MHT *right now*. Cant find anything that lands before 6am tomorrow. Can you? Help

I was flooded with messages. More sites to check, tips on how to approach and talk to airlines at the last minute, offers of frequent flier miles, specific research on possible flights, offers to help raise funds to pay for the expensive last minute ticket, ideas for other airports I could fly into, echoes to broader networks of people, and messages of love and support. A few people even started calling airlines on my behalf, asking which flights were already booked and what my other options were.

A dear friend got to my apartment as soon as she could and drove me to the airport. I spent the ride checking messages and calling people, trying to narrow down what airline would be the most likely solution. For each possible flight someone had found for me, I only had a window of 15-30 minutes to buy the ticket and board the plane.  I ran. I got a direct flight. It landed me in Boston at 10:25pm.

I would not have gotten there on Friday without your help.

Read the rest of this entry »

Heads up, this content is 18 years old. Please keep its age in mind while reading.

I have really exciting news for you (if you haven’t already heard me bragging like crazy about it): I’m the new co-host of San Francisco’s Queer Open Mic!  This is an incredible opportunity for me to give back to something that’s been deeply special in my life for a long time.

The Queer Open Mic has been my creative home for the last year and a half — I go religiously, I love the atmosphere, and I love the people.  Cindy Emch — the open mic’s founder (and the host who’s handing the reigns over to me) — worked her butt off to create a space that felt safe for poets, prose writers, comedians, singer-songwriters, and other artists who fell anywhere along the gender and sexuality spectrums to share their work with one another — even when it wasn’t perfect.  The result was always rich show of ecclectic work that felt deeply personal, creative, inspiring, and generous.

Can you tell I’m in love with this venue?

Oh, and let me tell you about the features!  At every show, there’s a feature performer who takes up about 20 minutes in the middle of the show, and they always knock my socks off. Sometimes it’s a local hero, sometimes it’s a kick-ass artist on tour from another state, and sometimes it’s a bright and shiny Queer Open Mic regular who’s doing their first-ever feature performance.  No matter how you slice it, the show is always intense and beautiful.

by Terrence Taylor, http://flickr.com/photos/fivestar/2035033862/But enough of my gushing, let’s jump to the details.  My first show as co-host is next week and I want you to be there.  To make sure you have plenty of reason to clear your calendars, I’ve booked one of my favorite people on earth — a soulful, funny, kinky, creative, and drop-dead adorable singer-songwriter named Fivestar.

Allow me to introduce you.  Fivestar writes…

I’m originally from South Texas and have been making trouble in the Bay Area for 6 years.  When I’m not working with video and the web, you can find me riding my bike, exploring the fabulousness of this city and making music.  Music has been an emotional outlet for me as far back as i can remember.  I’ve been writing music for ten years for the sole purpose of dealing with heartaches and joys.  Aside from a few past public performances, I mostly sing for my friends.  I started performing Queer Open Mic a few months ago and am excited to find more people to share my passion with.   Thank you!

Visit http://www.iamfivestar.com or http://twitter.com/iamfivestar for more.

The show will be followed by a table full ‘o beer at Zeitgeist (an outdoor bar filled with picnic tables and attractive hipsters) to celebrate Fivestar’s performance, my new role as co-host, and the fact that my best friend from high school just moved to San Francisco (it’s about time, girl!). So even if you can’t make it to the show, you should come out and share a pitcher with us there.

Are you in yet?  Here are the details…

What: Queer Open Mic, featuring Fivestar (and Sarah Dopp’s first night as co-host!!)
When: July 11, 8-10pm (sign-ups start at 7:30), followed by beer at Zeitgeist
Where: The Three Dollar Bill Cafe, San Francisco’s LGBT Center (1800 Market St.)

About the Queer Open Mic
Queer Open Mic is a twice monthly gathering of poets, performers, writers and artists of all types to come together and share art. Proto-feminist and genderqueer in scope, QOM aims to combine raunchy enthusiasm, warmth and community, unapologetic queer, radical politics and sweet rhythms to create a space for spoken word, poetry and performance that is multi cultural, multi gendered, completely inclusive and dynamic. QOM is hosted by Sarah Dopp and Mollena Williams. Please show up around 7:30pm to sign up on the open mic list. You’re encouraged to read one piece of work that is five minutes or less. And by encouraged we mean threatened with spankings, shoe throwings and general hilarious tantrums if you don’t follow the rules.