Heads up, this content is 16 years old. Please keep its age in mind while reading.

Over dinner last Thursday night, maymay and I spent several hours discussing what makes a Good Web Development Team, based on our particular work styles.  Here’s what we came up with (refined from a crude notebook sketch):

collab-webdevteam

Particular things to note here…

  • All team members have direct access to one another, and are encouraged to work together in real-time.  Quality assurance, scope agreements, user experience development, and engineering development all depend on direct collaboration.
  • D@n has already pointed out that we left out Sys Admin.  That’s a good point, and it should probably be its own person, with direct lines to Front-End, Back-End, and Project Manager.
  • He also expressed concern about QA not being a specific person.  I stand by the current model for dev teams that don’t aspire to grow any bigger than the setup above — peer-checking is sufficient.  As maymay put it, “QA is a state of mind.”  It’s always happening, and it can be structured to happen systematically.
  • Job roles and personal skills don’t always perfectly align. In my case, I can play both Front-End Developer and Project Manager, each with a particular flavor.  And maymay can take on both Front-End and Back-End Developer roles if the expectations are right.  But for both of us, it seems the case that if we only have to take on one role per project, we’re able to do better work.

This is just an abstract exercise in theoretical structuring based on our experience — not meant as anything to be set in stone. Take it for what you will, and feel free to expand on it.

Enjoy!,
Sarah

Heads up, this content is 17 years old. Please keep its age in mind while reading.

I’ve been quietly rolling an interesting comparison around in my head for a few months now, and lately it’s been dribbling out onto my work and my conversations. I take this to mean it’s probably time to blog about it, and to ask you to help me dissect it. Wanna have a go at it? Here’s my theory:

Social media consultants are a lot like therapists. Or at least, they should be. Or they are if they’re doing their jobs well.

Or, put differently: when someone is looking for a social media consultant, what they really need is a social media therapist.

Here’s what I’m looking at so far…

1) Since having a social media presence is about reputation and relationships, it needs to be personal to the individual.  A consultant can’t just prescribe an approach and walk away.  The approach needs to be custom-tailored to fit the client’s personality and worldview, and the client needs to have a lot of say in the development of this fit.  Thus, one of the consultant’s biggest jobs is to ask the right questions, shut up and listen, and let the client find their own answers.

2) Having an effective social media presence is different from traditional marketing, and it’s also different from the ways we’ve been using the internet in the past.  So clients need to adjust to a new way of approaching things, and this adjustment takes time.  One of the most effective things a social media consultant can do is be available for regular, hour-long, therapy-like sessions in which the client talks about what they’re experiencing (feelings and all), and the consultant helps them separate out the useful thinking from the off-base stuff…. over and over again, until the client gets it.

3) Developing a social media presence has to be done gradually.  A client has to pay attention to what’s working and what’s not, listen to feedback from the community, and constantly refine their approach with little changes.  If a consultant plans on being around for regular sessions, the client has a regular schedule for examining the feedback they’re receiving and incrementally improving their approach.

4) The social media consulting model is in contrast to the web development consulting model, where you just build something and walk away until it needs to be updated.  It’s also in contrast to the idea that social media consultants exist to give expert advice — if clients think of them that way, they’ll only go to them with the big questions, and try to answer the little questions on their own.  But social media success is in the details, and it’s the little questions that will make or break an online presence. 

Working conclusion: Get over yourselves, consultants. You’re therapists. Deal with it. And do it right.

I’ll be speaking at Mountain Social, a gathering in the mountains of Georgia next fall where we’ll be discussing better uses of internet technologies (you should come!), and I’ve already proposed this as a topic I want to dig into further while I’m there. So I figure that gives me 5 months to figure out just how deep this rabbit hole goes.

What does it bring up for you?

Heads up, this content is 17 years old. Please keep its age in mind while reading.

micropaymentheart.pngI want to believe in micropayments.

It’s like Santa Claus, the tooth fairy, the economic stimulus package, predefined timelines for large projects, nonfat lattes, and God. I want to believe in micropayments because it gives me hope

I’m talking about hope that we’re on the right track. Hope that we have a viable, sustainable alternate plan for the business models we’re turning upside down with our new technology. Hope that we can decentralize power without losing it altogether. Hope that we can survive without the monopolies. Hope that artists will be able make a living just by inspiring people. Hope that the average Internet user will soon derive as much satisfaction from giving financial props to someone they find valuable as they’d get from buying them a beer.

I naively believed we were close to this reality because someone — iTunes — is actually finally doing it well. I believed the biggest barrier was form of payment: if you have to enter your credit card number or go to a separate payment website or do anything that takes more than a click or a few keystrokes, the method won’t catch on.  iTunes broke that barrier for iPhone users when they required us to sign up for an iTunes account (and enter our credit card number in advance) just to download those nifty free apps. We didn’t like entering our credit card number, but it was Apple, so we knew everything was gonna be okay. Now that we’ve done it, whenever we get a song stuck in our heads at 3 AM and decide we need to listen to it right then, all we have to do is enter a password and it’s ours for 99 cents. A password. Just a password!  Anywhere we are.  It’s brilliant.

It was so easy to take it a step further: if Apple can do it, other industries can’t be too far behind.  Heck, we could even let Apple become the new PayPal and run all of our micropayments throught them, since they already have our trust.  Why not?  Let independent artists have their own merchant accounts.  Expand the system to cover writers, filmmakers, painters, and photographers.  Let high school kids make 50 cents each time one of the cool screen savers they create is downloaded.  Let me pay for shareware incrementally based on the number of times I use it.  Let me donate to a nonprofit in small chunks whenever they inspire or move me.  Empower the bloggers to fund each other.  Make it easy for us to put our money where our hearts are.  

I was this close to swallowing the whole story of technological utopia when Clay Shirky — in his infinite clarity — shot it down this morning.

“The essential thing to understand about small payments is that users don’t like being nickel-and-dimed. We have the phrase ‘nickel-and-dimed’ because this dislike is both general and strong.”

So… people don’t like micropayments.  Oh. Right.  (And… now that I think about it, yeah okay, I kinda hate them, too.)

And…

“The lesson of iTunes et al (indeed, the only real lesson of small payment systems generally) is that if you want something that doesn’t survive contact with the market, you can’t let it have contact with the market.  …small payments survive in the absence of a market for other legal options.”

So… iTunes is an aberration that only works because the music industry is kinda screwed up at the moment.

He ends with:

“We should be talking about new models for employing reporters rather than resuscitating old models for employing publishers; the longer we waste fantasizing about magic solutions for the latter problem, the less time we have to figure out real solutions to the former one.”

But Clay!  I wasn’t talking about employing publishers! I want the micropayments to go directly to the reporters!

But okay… fine… you win.  It won’t work for that, either.

So what’s our Plan B?